We Are Architects
We Are Architects
Maze, Alice Aycock
Alexander Melville Bell’s Visible Speech, Consonants, Tauba Auerbach
Instant Untitled, MOS
continuo-docs:

LAMONTE YOUNG’S DREAM HOUSE TECHNICAL SET UP CA.1969Sound sources:
Moog synthesizer (used as sine wave oscillator)
Oscilloscope type D34
Hewlett Packard sine wave oscillator model 200C
Microphones:
PML ECMI condenser mic
Sennheiser MKH 405 condenser mic
AKG D802
Sound system:
Revox tape recorders
Elco mixer model S-1000
4 x Elco power amps
4 x Altec Studio Monitor loudspeakers
Mycotecture, Phill Ross
dawsonscreek-info:

Swipe, 2013
"While not unique to the Internet, the detournement of data is one of its signal forms. It’s also a precarious one, as the large-scale privatization of information online continues unabated. We do not all conduct our lives in public online, but when we go online, all of us do conduct our lives for a select audience of corporate oligarchies—and as we do so, we’re comforted by the idea that most of our performance will be redescribed only as numbers and code."
MRAs and WTFs: A Context for “Nice Guys of OKCupid”, Tom McCormack
Sonic Pavilion, Doug Aitken
betaknowledge:

Via wtbw:

(via Unique Headphones for Studying Birds Hearing | I New Idea Homepage)
Propaganda, Edward Bernays
"You can’t have a dialogue if you’re going to do it from a position of authority or from a position of provocation, which is not at all what we’re interested in. We’re much more interested in creating spaces of sharing or common discourse. It’s easier to do work that talks about destruction or violence or other “hard” subject matter, which is taken to be more serious. If we told you as an artist or a writer that we would like to do work that is cheerful, you would think we’re kind of stupid. So this idea of trying to bring mirth or cheer at the same time as being critical, that’s really the Holy Grail for us."
Slavs and Tatars
Forest Stairs, Todd Saunders
raum19, 6m3, mobile showroom
Endesa Pavillion, Institute for Advanced Architecture of Catalonia